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Musical Courier
The ''Musical Courier'' was a 19th- and 20th-century American music trade publication which began publication in 1880 and became noted as preeminent in its field.〔(Peter H. Adams, ''An Annotated Index to Selected Articles from'' The Musical Courier, ''1880–1840'' )〕
The publication included editorials, obituaries, announcements, scholarly articles and investigatory writing about musical instruments and music in general. These included "construction practices, descriptions, tools, exhibitions and collections, new technologies, and laws and legal actions" relating to the music industry. There were articles on "companies and manufacturers of instruments, . . . entries on patents, trade marks, and designs for new or improved instruments", as well as reporting on "African-American music and culture, women's rights, John Philip Sousa, Antonín Dvořák and the influence of the rise of Nazi Germany on music in Europe."〔
In 1897, Marc A. Blumenberg, the publisher, "separated the musical and industrial departments" of the magazine and began publishing the ''Musical Courier Extra'' "strictly as a trade edition."〔(Alfred Dolge, ''Pianos and Their Makers,'' Part V, Chapter 2, Page 417, in the Electronic Library )〕
There was also a London, England, edition, active in the 1890s.〔(Listed in Houston Stewart Chamberlain bibliography )〕
Former University of Southern California professor Lisa Roma, an operatic soprano, was the publisher and owner from 1958 to 1961.〔("Lisa Roma Trompeter, 72, Retired Operatic Soprano," ''New York Times,'' February 18, 1965 ) Subscription required〕
==References==
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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